IRIS 4/3, the camera

The shot you pictured. The shot you bring home.

Four-thirds sensor, 50 million pixels. 6K at 60 frames per second, HDR. Night holds down to 0.1 lux. No toy-grade 4K, no poster promise: a cinema camera, carried by the wind.

360 view

Turn it. Every angle answers.

The A-1's IRIS 4/3 camera gimbal

The turntable is being filmed. Meanwhile, the IRIS holds the pose.

IRIS 4/3

The numbers, without the poetry.

Sensor
4/3 · 50 Mpx
Video
6K/60 HDR
Slow motion
4K/120
Night
0.1 lux
Aperture
f/1.8
Profile
D-log

Three disciplines

One camera, three ways to use the sky.

Photo

4/3 · 50 Mpx

Fifty million pixels give you room to decide later. Frame wide, crop tight, print large. The file holds.

Film

6K/60 · 4K/120 · D-log

6K at 60 frames per second, HDR, D-log. Grade the storm the way you saw it, not the way the sensor flinched. And 4K at 120 when one second deserves five.

Night

0.1 lux · f/1.8

0.1 lux is not a number, it is a permission. The last blue after sunset, streetlights on wet stone, stars over the ridge. Fly later than everyone else.

The storm will not wait. Neither should the camera.

Reserve my A-1